GEORGE ALFRED PAGINTON "CHILDREN IN A FIELD, ISLE OF ORLEANS" 1952
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This painting has "Children in a Field, Isle of Orleans" on front and "Flowering Bush" on back.
- Oil on board
- Sight: 8.5 x 10.5 inches
- Unsigned but artist's inventory number in lower right (G25 back)
- Undated: circa 1952
- Condition: excellent
- Provenance: Artist's Estate
- On reverse: "Flowering Bush"
- Undated: circa 1975
- Unsigned but artist's inventory number in lower right (G24 front)
- Inscriptions: "Finished" in pencil upper left
The Artist: George Alfred Paginton (Canadian, 1901-1988)
Inspired by the Canadian landscape like the Group of Seven, George Paginton's direct, truthful and rugged depiction of Canada served him as a personal escape. His intensity of colour and freedom of technique brought out a sense of beauty rarely seen because he preferred to paint for his own enjoyment.
Like many recognized Canadian artists, Paginton became a commercial artist. His skills quickly developed and were rapidly noticed as he landed his first job at Photo Engravers and Electrotypers Ltd., of Toronto. Then, starting in 1927, he began a forty-three year-long and rewarding career at the Toronto Star. As an editorial illustrator, he covered events such as the construction of the Toronto subway and Toronto's City Hall, and the building of the St. Lawrence seaway. He began painting his own work in his free time.
Although roughly twenty years younger, Paginton was closely associated with the Group of Seven and even shared space in the Studio Building where many of the Group of Seven members worked. He became friends with A.Y. Jackson and was a pallbearer along with A.J. Casson at Jackson's funeral.
During his lifetime, Paginton rarely exhibited his works. But one of his only international exhibitions was held in New York just before he died where his work was featured beside some of Canada's most renowned artists: J.W. Beatty, Jack Bush, Lawren Harris, Illingworth Kerr and David Milne.
After his death, his family wanted others to see his love of Canada and they secured representation with Toronto gallerist Odon Wagner where three sold out gallery shows took place from 1999 to 2002, and arranged special exhibitions with numerous museums.
George Paginton's work is held by many esteemed private collectors and as well as public and museum collections across Canada including Hamilton Art Gallery, Robert McLaughlin Gallery, Art Gallery of Northumberland, Art Gallery of Sudbury and the Peel Art Gallery, and is part of the collection of the National Capital Commission for the Official Residences in Ottawa.
The Story: This is a unique work as it is two in one. As with so many artists, when you want to paint but are out of materials, you grab another painting that is sitting in the studio, or in George's case, his paint box and you flip it over and paint on the reserve side. The family estimates that these works were painted about 23 years apart.
This work is from the artist's estate and comes with a certificate of authenticity signed by the artist's son.
Don't miss the exhibition, George Paginton: Painting a Nation, from October 10, 2019 to February 9, 2020 at Peel Art Gallery, Museum + Archives (PAMA). Wall Fiction is pleased to support PAMA with this exhibition.
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Item No. CA201804026